GLAZE

Blue CS447

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Green CS446

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Orange CS437

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Red CS435 glaze

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Blue sky CS433

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing Temperature : 980°C

GROUPE II

Grey CS431

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing Temperature : 980C

GROUPE II

 CUERDA SECA

Lilac CS423

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Brown CS419

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Cream CS417

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Pink CS404

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Yellow - CS 402

Series of special colors for the “Cuerda Seca” technique or cloisonné enamels.

All the colors are miscible with each other.

We also include the references F-4312 Black and F-4313, mixtures to trace the partition.

The CS-400 series is recommended for white paste.

The recommended firing temperature is 980°C.

Opaque orange cadmium enamel - CS 220

For the enameling of ceramic pieces on white and red clay.

Recommended firing temperature, between 960-980ºC.

Ochre - CS 218

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Marble - CS 217

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

English green - CS 216

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

White - CS 215

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Cobalt blue - CS 214

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Dark brown - CS 213

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Light brown - CS 212

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Red - CS 210

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Victoria green - CS 209

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Green - CS 208

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Yellow - CS 207

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Blue - CS 206

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Light brown - CS 205

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Purple - CS 204

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Yellow - CS 203

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Black - CS 202

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Eggplant - CS 201

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Turquoise blue - CS 200

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Transparent crackle enamel - CQ 03 (FR7)

Ceramic compound.

TRANSPARENT CRACKED

TRANSPARENT ENAMEL GLOSSY very alkaline and fondant, suitable for raku techniques or metallic reflections.

Specially recommended as ceramic covered.

With the addition of metallic oxides, characteristic colours of alkaline enamels are obtained, as in the case of the CuO for turquoise blue.

The recommended firing temperature ranges from 800-950°C.

Alkaline crackle transparent enamel - CQ 01 (FR6)

Composed of Fritte.

Cracked and shiny transparent email.

Its application is recommended on white or engobées pasta to appreciate the aged effect of cracking.

Allows decoration under enamel with burnt dye oxides.

Once the piece is cooked, it is recommended to use Judean Bitumen to bring out the cracked effect.

Other enamels can be used as aditives to increase the dilation coefficient.

The firing temperature varies between 940-980ºC.

Black CC11

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

 Temperature of firing : 980-1000°C

Coefficient of expansion: 86

 Free of lead

Crimson / CARMINE CC10

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 940-1020°C

 Free of lead

Sevres blue CC09

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 940-1000°C

 Free of lead

Sky blue CC08

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 980-1000°C

 Free of lead