GLAZE

 CUERDA SECA

Lilac CS423

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Brown CS419

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Cream CS417

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Pink CS404

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Yellow - CS 402

Series of special colors for the “Cuerda Seca” technique or cloisonné enamels.

All the colors are miscible with each other.

We also include the references F-4312 Black and F-4313, mixtures to trace the partition.

The CS-400 series is recommended for white paste.

The recommended firing temperature is 980°C.

Opaque orange cadmium enamel - CS 220

For the enameling of ceramic pieces on white and red clay.

Recommended firing temperature, between 960-980ºC.

Ochre - CS 218

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Marble - CS 217

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

English green - CS 216

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

White - CS 215

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Cobalt blue - CS 214

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Dark brown - CS 213

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Light brown - CS 212

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Red - CS 210

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Victoria green - CS 209

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Green - CS 208

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Yellow - CS 207

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Blue - CS 206

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Light brown - CS 205

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Purple - CS 204

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Yellow - CS 203

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Black - CS 202

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Eggplant - CS 201

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Turquoise blue - CS 200

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Transparent crackle enamel - CQ 03 (FR7)

Ceramic compound.

TRANSPARENT CRACKED

TRANSPARENT ENAMEL GLOSSY very alkaline and fondant, suitable for raku techniques or metallic reflections.

Specially recommended as ceramic covered.

With the addition of metallic oxides, characteristic colours of alkaline enamels are obtained, as in the case of the CuO for turquoise blue.

The recommended firing temperature ranges from 800-950°C.

Alkaline crackle transparent enamel - CQ 01 (FR6)

Composed of Fritte.

Cracked and shiny transparent email.

Its application is recommended on white or engobées pasta to appreciate the aged effect of cracking.

Allows decoration under enamel with burnt dye oxides.

Once the piece is cooked, it is recommended to use Judean Bitumen to bring out the cracked effect.

Other enamels can be used as aditives to increase the dilation coefficient.

The firing temperature varies between 940-980ºC.

Black CC11

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

 Temperature of firing : 980-1000°C

Coefficient of expansion: 86

 Free of lead

Crimson / CARMINE CC10

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 940-1020°C

 Free of lead

Sevres blue CC09

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 940-1000°C

 Free of lead

Sky blue CC08

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 980-1000°C

 Free of lead

Deep green CC07

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 980-1000°C

Coefficient of expansion: 86

 Free of lead

Light green  CC06

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 980-1000°C

 Free of lead

Brown CC05

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 940-1000°C

 Free of lead

Orange CC04

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

 Temperature of firing : 980-1000°C

 Free of lead

Toffee CC03

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 980-1000°C

 Free of lead

Yellow CC02

Engobes range. Possibility to mix them together. Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 980-1000°C

Coefficient of expansion: 86

 Free of lead

COLORED WHITE ENGOBE  CC01

Engobes range.

Possibility to mix them together.

Usable on raw pieces or bisquewares, for soaking or decoration.

Temperature of firing : 940-1000°C

 Free of lead

Engobe with 'deffloculant' and fondant for bisqueware

Temperature of firing : 980-1050°C

Transparent glaze - C551

Composed of Frit.

Transparent for general use, both for red earthenware and for white tiles and majolica.

Develops very well the whole range of colors.

The firing temperature varies between 980-1050ºC.

Lustre light blue

Firing temperature : 750-820°C

Ref : BLLU700

BEIGE PEARL 663/B LUSTRE 3RD FIRING  BLLU663/B

Lustre beige pearl

Firing temperature : 750-820°C

Ref : BLLU663/B

YELLOW 482 LUSTRE 3RD FIRING  BLLU482

Luster yellow

Firing temperature : 750-820°C

3RD FIRE MOTHER OF PEARL LUSTER BLLU457

Ref : BLLU457

ORANGE 210 LUSTRE 3RD FIRING     BLLU210

Lustre orange

Firing temperature : 750-820°C

Ref : BLLU210

COBALT BLUE 702 LUSTRE 3RD FIRING   BLLG702

Lustre cobalt blue

Firing temperature : 750-820°C

DARK GREEN 593LUSTRE 3RD FIRING   BLLG593

Lustre dark green

Firing temperature : 750-820°C

RED 430 LUSTRE 3RD FIRING BLLG430

Luster red

Firing temperature: 750-820°C

PINK 1333 LUSTRE 3RD FIRING  BLLG1333

Luster pink

Firing temperature : 750-820°C

Platinum black BLBPR00870

Cooking temperature: 750-820°C

Platinum black

Ref : BLBPR00870

Platinum lustre BLBP02802

Cooking temperature: 750-820°C

Lead bisilicate enamel - BIS PB

Composed of Frit.

Transparent glaze with lead.

For glazing ceramic pottery and artistic pieces in white or red clay.

It can be used in monocuisson. Recommended firing temperature, between 950-1000ºC.

BASE5 RAKU GLAZE BORO ALCALINA

Base boro alcaline transparente BASE 5

BASE4  RAKU GLAZE  LEAD ALCALINA

Firing temperature: 800-900°C

ENGOBE WHITE ATOMISED AUBAGNE

Fragmented white engobe AUBAGNE

Deep yellow A135

Cadmium glaze with lead
Temperature of firing 960-1020°C

Cadmium yellow enamel - A 133 / N

For enamelling ceramic pieces in red or white clay.

Firing temperature between 950-1020°C.

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6031 PEANUT

Peanut-6031

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6029 GREY SILVER

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6027 OCHRE

Ochre-6027

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6026 GREY BEIGE DARK

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6024 GREY BEIGE

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6023 GREY LINEN

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6022 GREY SLATE

Grey slate-6022

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6021 WHITE

White -6021

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6020 GREY MARENGO

Grey marengo - 6020

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6019 ANTHRACITE

Anthracite-6019

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6018 CHOCOLATE

Chocolate -6018

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6016 BROWN CLEAR

Without lead

GROUPE I

Firing temperature: 980°C

UNDERGLAZE FOR TILES AND BRICKS/SCULPTURE 6014 TERRE CUITE

Terre cuite-6014

Without lead

GROUPE I

Firing temperature: 980°C

Salmon -6013

Without lead

GROUPE I

Firing temperature: 980°C

Clear salmon -6012

Without lead

GROUPE I

Firing temperature: 980°C

Aubergine-6011

Without lead

GROUPE I

Firing temperature: 980°C

Black liquorice cracked - 5942 (ex E31018/12 )

Opaque glaze without lead.
Temperature of firing 980°C

Brown camel cracked - 5940 (ex E-31018/10 )

Opaque glaze without lead.
Temperature of firing 980°C

Brown auburn cracked - 5940

Opaque glaze without lead.
Temperature of firing 980°C

Blue "duck"cracked - 5939 (ex E31018/9 )

Opaque glaze without lead.
Temperature of firing 980°C

Blue sky cracked - 5938 (ex E31018/8 )

Opaque glaze without lead.
Temperature of firing 980°C

Blue celestial cracked - 5937 (ex E31018/7 )

Opaque glaze without lead.
Temperature of firing 980°C

Dark purple cracked - 5936 (ex E31018/6 )

Opaque glaze without lead.
Temperature of firing 980°C

Green "parrot" cracked - 5935 (ex E31018/5 )

Opaque glaze without lead.
Temperature of firing 980°C

Blue "king" cracked - 5934 (ex E31018/4 )

Opaque glaze without lead.
Temperature of firing 980°C

Red cracked-5933 (ex E31018/3 )

Opaque glaze without lead.
Temperature of firing 980°C

Red grenadine cracked - 5932 (ex E31018/2 )

Opaque glaze without lead.
Temperature of firing 980°C

Yellow lemon cracked - 5931

Opaque glaze without lead.
Temperature of firing 980°C

Lustre platine ( Ex E-11050/38)

GROUPE III

Firing temperature: 850-990°C

Matt white crackle enamel - 5913

For glazing red or white earthenware.

Develops colors very well.

The firing temperature varies between 960-1020°C.

Glossy and crackled opaque white enamel - 5895

For enamelling ceramic pieces in white or red clay.

Recommended firing temperature between 980 and 1000°C.

Antique ivory white enamel - 5894

Opaque lead free.

For glazing red or white earthenware.

Develops colors very well.

The firing temperature varies between 950 and 1020°C.

Satin transparent glaze - 5888

Without lead.

For enamelling ceramic pieces in red or white clay.La température de cuisson conseillée est de 980°C.

The recommended firing temperature is 980°C.

Matt white opaque enamel - 5880

For glazing red or white earthenware.

Develops colors very well.

The firing temperature varies between 940-1050°C.

Green pistachio transparent enamel - 5868

Range of colored transparent enamels.

They can be applied on white or red engobed paste.

Firing temperature 980 - 1020°C.

Luster 5841

Advice :

Firing temperature : 980-990°C

Mentions :

Presence of lead. Use only for decorative production

Lustre 5839

Avice :

Firing temperature : 980-990°C

Mentions :

Presence of lead. Use only for decorative production

Lustre 5834

Temperature for firing : 850-1000°C

Presence of lead. Use only for decorative production

Turquoise blue 5813

Cracked bright transparent glaze

 Advice:

Temperature of firing : 960.-1020°C

Mentions :

Presence of lead. Use only for decorative production

Glaze Turquoise green 5811

Advise :

Temperature of firing : 960-1020°C

Mentions :

Presence of lead. Use only for decorative production

Groupe III with lead