EMAUX FAIENCES

LUSTER AVENTURINE GLAZE UNLEADED  E21017/73

Lustre crimson "Aventurine"

Ref : E21017/73

GLAZE WITH EFFECT E21017/71 LUSTER ORANGE AVENTURINE WITHOUT LEAD

Lustre orange "Aventurine"

Ref : E21017/71

BLACK LUSTER AVENTURINE GLAZE UNLEADED  E21017/69

Lustre black  "Aventurine"

Ref : E21017/69

Luster orange "Aventurine"- E21017/60

Opaque glaze with effects
Without lead
Temperaure of firing : 980°C

Luster crimson  "Aventurine"- E21017/51

Opaque glaze with effects
Without lead
Temperaure of firing : 980°C

Lustre orange crimson  "Aventurine"- E21017/50

Opaque glaze with effects
Without lead
Temperaure of firing : 980°C

Lustre black  "Aventurine"- E21017/46

Opaque glaze with effects
Without lead
Temperaure of firing : 980°C

Decor flux5 melting for serie P - DFLUX5

GROUPE II

Firing temperature: 900-950°C

Coefficient of expansion: 71

Matt black opaque enamel - CSM 117

This is a collection of matt colored enamels prepared for the "cuerda seca" technique.

CSM-100 series matt enamels for cuerda seca can be used for white and red paste.

The recommended firing temperature is 980ºC-1000ºC.

Opaque glaze with effect Chattered cream CS6040

Advice :

Temperature of firing : 980-1020°C                       

Dilation coeff 25-300°C : 62

Mentions :

Presence of lead. Possibility to use for alimentary production under conditions

Blue green CS476

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Vermilion red CS475

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Andalusian green CS466

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Light brown CS464

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Turquoise CS450

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Cobalt blue CS449

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Blue CS447

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Green CS446

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Orange CS437

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Red CS435 glaze

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Blue sky CS433

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing Temperature : 980°C

GROUPE II

 CUERDA SECA

Lilac CS423

This is a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together except Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Cream CS417

This a set of specific glazes for the Cuerda Seca technic.

Black F4312 and White F4313 are powders to mix with Copaïva balm to draw partitions.

Inside these plans, you put glazes with brushes ou with syringe.

Colors are used deluted with water to obtain a thick mix.

CS200 is usable on red bisqueware : they are opaque.

CS set400 is usable on white or light medium : they are transparent.

All these colors can be mixed together excepted Red CS210 and Orange CS211.

Colors don't flow, even used in the vertical way.

Firing temperature : 980°C

GROUPE II

Yellow - CS 402

Series of special colors for the “Cuerda Seca” technique or cloisonné enamels.

All the colors are miscible with each other.

We also include the references F-4312 Black and F-4313, mixtures to trace the partition.

The CS-400 series is recommended for white paste.

The recommended firing temperature is 980°C.

Opaque orange cadmium enamel - CS 220

For the enameling of ceramic pieces on white and red clay.

Recommended firing temperature, between 960-980ºC.

Ochre - CS 218

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Marble - CS 217

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

English green - CS 216

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

White - CS 215

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Cobalt blue - CS 214

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Dark brown - CS 213

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Light brown - CS 212

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Red - CS 210

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Victoria green - CS 209

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Green - CS 208

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.

Yellow - CS 207

This collection of colors necessary for the "Cuerda Seca" technique includes all the colors to develop a complete palette.

Colors can mix well, except Red CS-210 and Orange CS-211, which must be pure.

To obtain "Pastel" colors, it is necessary to add an opaque white enamel which decreases the intensity of the color and makes it softer.